Behind the Scenes

Creating images and videos is more than a job—it’s something I genuinely love. This section gives you a peek into my creative process: the gear I trust, the people I collaborate with, and the real moments that happen during a shoot. Every project tells a story, and this is where those stories begin—on set, behind the lens, and in the details.

Some shoots are more fun than others—and working with professional athletes always brings the energy. My time with Kenneth Faried of the Denver Nuggets was no exception. Known as "the Manimal" due to his hustle on the court, he attended Morehead State University for four years, twice being named the Ohio Valley Conference Player of the Year. He finished his collegiate career as the NCAA all-time leading rebounder in the post-1973 era with 1,673 rebounds. He was selected 22nd overall in the 2011 NBA draft by the Denver Nuggets.

During a celebrity photo session, it’s generally understood that the focus is on capturing a quick shot—no autographs, no small talk, just in and out. But come on… it’s Peyton Manning. Did the ad agency really think I was going to just nod and walk away? Yeah, right. Peyton Manning is easily the most welcoming celebrity I’ve ever met. Honestly, he might be the nicest person I’ve ever met—period. Papa John? Not so much.

Stacey Peralta. What can I say?
The man is a legend in the skateboarding world and an award-winning documentary filmmaker. He directed and produced Dogtown and Z-Boys (2001), Crips and Bloods: Made in America (2008), and Lords of Dogtown (2005). His latest film is Tony Hawk: Until the Wheels Fall Off.

I’ve been skateboarding since I was four years old. Stacey Peralta was my idol growing up—I wanted to be just like him. I shot this portrait entirely for myself. I didn’t care who bought it, viewed it, or shared it online. I just had to have it.

So I did what I always do: walked up with my camera in hand and politely asked,
“Mr. Peralta, can I take your picture?”
He responded,
“Yes, but call me Stacey.”

I can’t tell you how many times I’ve suited up in an NFPA 70 FR cleanroom garment to photograph or film advanced technology I didn’t fully understand.
Still, I always manage to make complex systems look clean, compelling, and visually engaging.
Let’s just say—I work well with engineers.